![]() Shortly after the cardinal's death, his library acquired twelve manuscripts of Leonardo da Vinci, including the Codex Atlanticus. Borromeo intended an academy (which opened in 1625) and a collection of pictures, for which a new building was initiated in 1611–18 to house the Cardinal's paintings and drawings, the nucleus of the Pinacoteca.Ĭardinal Borromeo gave his collection of paintings and drawings to the library, too. A printing press was attached to the library, and a school for instruction in the classical languages.Ĭonstant acquisitions, soon augmented by bequests, required enlargement of the space. One innovation was that its books were housed in cases ranged along the walls, rather than chained to reading tables, the latter a medieval practice seen still today in the Laurentian Library of Florence. When its first reading room, the Sala Fredericiana, opened to the public on 8 December 1609 it was one of the earliest public libraries. To house the cardinal's 15,000 manuscripts and twice that many printed books, construction began in 1603 under designs and direction of Lelio Buzzi and Francesco Maria Richini. Leonardo da Vinci Crossbow sketch, Codex Atlanticusĭuring Cardinal Borromeo's sojourns in Rome, 1585––1601, he envisioned developing this library in Milan as one open to scholars and that would serve as a bulwark of Catholic scholarship in the service of the Counter-Reformation against the treatises issuing from Protestant presses. ![]() ( January 2011) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources in this section. This section needs additional citations for verification.
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